Wednesday, December 8, 2010

Final Paper

Lisa Peters
Bible as Literature
December 1st

Wanda as Mary


                In reading the slave, I became interested to realize that Jacob was not the only one who could be called a slave. Wanda too is stuck in a village she hates, bound by social expectation and tradition and unable to escape and held hostage by the love she feels for Jacob. Only when they act upon their love do either Jacob or Wanda feel free.   
Jacob’s slavery is mentally and physically enforced.  “There was an agreement among them [the villagers] that any who saw him on the other side of the stream should immediately kill him” (pg 7). An earlier quote indicates Jacobs’s resignation to his fate. “There had been a time when Jacob had planned to run away, but nothing had come of it” (pg7). Like Jacob, Wanda is forced to remain in with her family, though she has little liking for them. “Stach’s death had brought her humiliation. She had been forced to return to her parents and again sleep with them and Basha in one bed…The hut stank. Her family conducted themselves like animals” (Pg 30).
Even more emotionally wrenching, Wanda is deeply in love with Jacob, but he refuses any advances she makes. “She had fallen in love with the salve at first sight, and though over the years they had been much together, he had stayed remote…but the strength of the attraction he exerted upon her did not abate…she was unable to free herself” (Pg 16).
            After Jacob and Wanda lay together, they develop a deep intimacy that goes beyond lust. “Jacob in the old days would have considered himself ridiculed if anyone had ever suggested to him that a time would come when he would discuss such matters as the freedom of will, the meaning of existence, and the problem of evil with a peasant woman. But one never knows where events are leading. He lay closed to Wnada in the granary, the same blanket covering them both, seeking to explain in a strange tongue those things he had studied in the holy books” (Pg81). Wanda even manages to pry Jacob loose from the intense attachment he has to his religion. “He had changed since he had cohabited with Wanda…He prayed but without concentration” (pg85).
            Later in the book, when ransomed by others from Josefov, Jacob goes to fetch Wanda from the village after dreaming of her, even though he believes it is wrong to do so. “Jacob’s longing for Wanda made him willing to brave any risk…even thought the journey must result in sin” (pg 133). In their love together, Jacob and Wanda find something precious and liberating. Becoming absorbed by Wanda, Jacob gives himself from the necessary distance to began to examine his slavery to his religion.
            In The Slave, Wanda fits Frye’s description of a redeeming feminine mythological symbol. Frye speaks of the way the sexual female in society represents Eve, who seduced Adam into sin. Yet by being the symbol for humanities downfall, Eve also sets up the proper method for humanity’s salvation; the Virgin Birth. Mary, a second Eve as Frye refers to her in pg 192, becomes the symbol for the new birth of humanity, one untainted by “the perversion of sexuality” a phrase found on pg 193. As the mother of Christ, Mary helps complete the full circle of humanity’s redemption.
            Wanda is the Eve and Mary of The Slave. In the book itself she is referred to as Eve.“Sarah was like Mother Eve, who had been formed from Adam’s rib, her husband her only relative” (pg 160). Like Eve, Wanda tempts her husband into sinful lust. Yet Wanda also fulfils the myth by redeeming him with her love.

All done

Here's my belated acknowledgement that I finished the Bible during Thanksgiving Break.
  Despite this being the third time reading revelations, I still don't understand it and a long in depth conversation with my mother (who has studied it up, down, right left and probably another direction as well) has not helped to clarify it any.

Monday, October 25, 2010

Notes From Oct 14th

Mirror of identiy (The Bible)
  engage somebody in the Bible and Blog about it (Aka argue)
How has the Bible influence literature? Blog about it
Talmud-authorized body of commentary on the Bible

Alegra's misererre-based on psalms 51
  "all the arts aspire to the condition of music"

Notes From Oct 12th

Read Suzanna and Peter Quince at the Clavier by Wallace Stevens. Blog about it.
Parataxis-literary form placing thigs side by side rather than subordinating elements

An argument About the Bible

One of my friends agreed to be my opponent in an argument of the Bible. This argument, which was based on the reliability of  the authority of the Old Testament in its influence on Christianity was similar in many respects to many other arguments I've had with people on the subject of the Bible. The most interesting and volatile arguments always seem to come up between my mother and I, and she is extremely well educated in the Bible, oftentimes pointing out obscure passages and interpreting them in ways I've never considered before. My argument with my friend was not as extensive but it was interesting in the fact that she offered the same bottom line as anybody else I've ever argued with. Faith. No matter how many mass slaughters, intertextual inconsistencies and improbable coincidences of similarities between the Bible and other great religious works, she remained unshaken in her answer. Faith answers everything. How can you argue with that? 

Susanna and Peter Quince


Clavier-depending on the language any sort of keyboard instrument or a specific keyboard instrument.
Just as my fingers on these keys
Make music, so the self-same sounds 
On my spirit make a music, too. 
Music is feeling, then, not sound; 
And thus it is that what I feel, The relationship between the music and the writing and their connection to emotions is interesting. Is he expressing his emotion in his music or creating emotion by playing music?
Here in this room, desiring you, Desiring who?
Thinking of your blue-shadowed silk, 
Is music. It is like the strain 
Waked in the elders by Susanna;
Of a green evening, clear and warm, 
She bathed in her still garden, while 
The red-eyed elders, watching, feltWhy are they red-eyed?
The basses of their beings throb 
In witching chords, and their thin blood 
Pulse pizzicati (Light plucking sound) of Hosanna (Which as I understand to be a cry for help in the archaic sense and a shout of praise in more recent usage, such as in hymns).
II
In the green water, clear and warm, 
Susanna lay. 
She searched 
The touch of springs, 
And found 
Concealed imaginings. 
She sighed, 
For so much melody.
Upon the bank, she stood 
In the cool 
Of spent emotions. 
She felt, among the leaves, 
The dew 
Of old devotions.
She walked upon the grass, 
Still quavering. 
The winds were like her maids, 
On timid feet, 
Fetching her woven scarves, 
Yet wavering.
A breath upon her hand 
Muted the night. 
She turned -- 
A cymbal crashed, 
Amid roaring horns. The music becoming abruptly harsh
III
Soon, with a noise like tambourines, 
Came her attendant Byzantines.

Against the elders by her side;
And as they whispered, the refrain 
Was like a willow swept by rain. Beautiful imagery, but it confuses me
Anon, their lamps' uplifted flame 
Revealed Susanna and her shame. Indication that something did indeed happen, rather than Susanna remaining resistant as in the Biblical story
And then, the simpering Byzantines 
Fled, with a noise like tambourines.
IV
Beauty is momentary in the mind -- 
The fitful tracing of a portal; 
But in the flesh it is immortal. Beauty momentary in the mind, eternal in the body-this is opposite what is expected
The body dies; the body's beauty lives. 
So evenings die, in their green going, 
A wave, interminably flowing. Wave of time
So gardens die, their meek breath scenting 
The cowl of winter, done repenting. 
So maidens die, to the auroral 
Celebration of a maiden's choral.
Susanna's music touched the bawdy strings 
Of those white elders; but, escaping, 
Left only Death's ironic scraping. 
Now, in its immortality, it plays 
On the clear viol of her memory, 
And makes a constant sacrament of praise.

  This poem appears to be about beauty, and specifically about the beauty and immortality of art, such as poetry, music or the literature of the Bible. The narrator of the poem seems to make a certain point of separating the passion he feels for his type of beauty and the lust of the Elders for Susanna's beauty. The Elder's  lust, aroused by "Susanna's music" , the beauty of her body, is on an instinctive level ,and is fleeting and doomed to nothing, while Peter Quince's idea of true beauty is to create something from his feelings that will last in "in its immortality" a "constant sacrament of Praise".  A reader of this poem and the Bible can make an instant connection with the beauty and immortality, spoken of, and the great piece of art that the poet drew his inspiration from.

Tuesday, October 5, 2010

Important!

Women in the Bible-Guest speaker (Linda Sexson) Attendence required